Tập
Frontline: Episode 17
Tóm tắt
Frontline correspondent John Laurence examines the background of the Islamic Revolution, the roots of radical Shiism and reveals why Iran's war with Iraq is an important step in spreading their brand of Islam throughout the world.
Chi tiết
- Phim bộ
- Frontline
- Mùa
- Mùa 4
- Tập
- Tập 17
- Ngày phát sóng
- 1986-06-03
Thông tin tập
Episode 17 là tập 17 trong Season 4 của Frontline. Tập này phát sóng ngày 1986-06-03.
Tập trước / tập sau
Tập 16
Millions of Americans are mentally ill. They live in a world that is fragile and often frightening. Inside a halfway house in St. Paul, Minnesota, Frontline examines mental illness from the point of view of those who struggle with it as they fight their psychological demons and confront the social stigma of their disease.
Tập 18
England is a country divided. One in five workers in northern England is unemployed, while in the south of the country, power, privilege prevail. Ofra Bikel explores Britain's social structure, cultural values, and attitudes toward enterprise and work.
Các tập khác trong mùa này
Tập 15
A high percentage of men on the frontlines in Vietnam were young, poor, undereducated, and black. By most accounts, they had the highest casualties. But these young men say they were fighting two wars-against the enemy and against discrimination. Correspondent Wallace Terry, the author of 'Bloods,' the national bestseller on which this film is based, talks with black veterans who fought discrimination in Vietnam and who later confronted disillusionment when they came home.
Tập 19
The Supreme Court ruled against a Memphis firefighter who successfully fought for an affirmative action plan for the hiring of fellow firefighters in 1984. As a result, the Justice Department asked 50 cities to tighten their affirmative action policies. Correspondent George Curry examines the 20 year conflict over these policies and reveals the point of view of those whom it affects.
Tập 14
Hollywood is called an industry, a place, a state of mind. But making it in Hollywood, and making movies, persists as part of the American dream. In the real world of agents, casting directors, aspiring actors, and studio executives, how are movies made? Frontline examines the fantasy and reality of Hollywood's five billion dollar a year industry.
Tập 20
Rita Tikhonova, 21, is a model Russian citizen. The lifestyle and ambitions of an outstanding Young Communist League member in Moscow are depicted as she completes her education at a prestigious school and begins her first teaching job.
Tập 13
Frontline and Nova combine resources for the first time to explore the Strategic Defense Initiative. The program contains the most comprehensive information on Star Wars ever produced. Correspondent Bill Kurtis interviews Russian and American scientists, arms-control experts, and politicians to reveal the scientific and political implications of what could become the world's most sophisticated military technology.
Tập 21
For four months every year, Mikhail Kuzakov and his son, Yuri, leave the comforts of home for the Siberian wilderness, where they hunt on horseback for sable and other valuable fur animals. Frontline examines life in the taiga and follows the hunt of father and son.
Tập 12
Former budget director David Stockman gives an exclusive interview to correspondent William Greider on what has been called 'the greatest free lunch fiscal policy' in modern times.
Tập 22
Sergei Kuryokhin is a popular Russian jazz and rock musician who is disapproved of by the state because his music is difficult to control. Made without the permission of Soviet authorities on a home video camera, Frontline takes a look at the Soviet music subculture and this one talented musician.
Tập 11
For more than a year, Frontline has been behind the scenes with congressmen and lobbyists covering the deals, dollars, and politics of tax reform. Correspondent William Greider investigates how Washington really works as seen through this exclusive access to the inner circles of Congress.
Tập 23
Frontline examines the differences in Soviet and Western justice systems as it contrasts the lives of Tamara Russo, a 50-year-old hospital orderly on trial for theft in Soviet Moldavia, and Lyubov Bubulic, the female judge presiding over Russo's case.